Fed up with cold response from district administration to their demand to declare Devbhoomi Dwarka as drought-hit, farmers on Tuesday knocked at the God’s door for help and submitted a memorandum to Lord Krishna seeking divine intervention to alleviate their sufferings.
Dozens of farmers led by NGO Khedut Hit Rakshak Samiti submitted the memorandum to the high priest of the famous Dwarkadhish temple in Devbhoomi Dwarka district, dedicated to Lord Krishna.
In the memorandum addressed Lord Krishna, the farmers pleaded for help and said they have come to him “as a last resort” after getting tired of approaching Government officials with their list of demands.
They listed their demands before the God, which included declaring the district as drought-affected, setting up cattle camps, providing water for drinking and irrigation and reducing power connection tariff.
Recently, the BJP Government in Gujarat declared parts of district as drought-hit.
“We have come to you as a last resort…the present government, elected from farmers’ votes, is working for the industrialists. Government invest crore of rupees to organise farmer programmes but refuses to address our problems. Leaders and government officials are corrupt, and we farmers are crying for help,” the memorandum stated.
“Government is not thinking of waiving interest on crop loan for the current year. Nothing is being done to ensure water supply for irrigation…the CM calls herself farmer’s daughter, but makes hollow promises in the name of farmer welfare,” it stated.
Prabhupada is discussing the real meaning of going to a sacred place in India.
One should go to a sacred place in order to find some intelligent scholar in spiritual knowledge living there and make association with him. Just like I … My residence is at Vrindavana. So, at Vrindavana, there are many big scholars and saintly persons living. So one should go to such holy places, not simply to take bath in the water. One must be intelligent enough to find some spiritually advanced man living there and take instruction from him and be benefited by that. If a man has no attraction for hearing from learned people there, he is considered to be an ass. (He laughs.) So, the whole civilization is moving like a civilization of cows and asses. Everyone is identifying with the body … Yes, you want to speak?
Woman: In the places known as secret places –
Prabhupada: Sacred. Yes.
Woman: Is it “sacred” places?
Woman: Isn’t it also a fact that there is more magnetism because of the meeting of saints and more advanced people?
Prabhupada: Oh yes. Certainly. Certainly. Therefore the place itself has got some magnetism.
Woman: Yes, and when –
Prabhupada: Just like at Vrindavana – that is practical. Here I am now sitting in New York, the world’s greatest city, such a magnificent city, but my heart is always hankering after that Vrindavana.
On the auspicious occasion of the appearance day of Sri Chaitanya Mahaprabhu, Dr Sahadeva Das offers two Esraj songs unto His divine lotus feet. These songs, ‘Ujjvala Varana Gaura Vara Deham’ and ‘Nava Gaura Varam’ were composed by Srila Sarvabhauma Bhattacharya. The melody has been taken from the albums of Bhakti Charu Swami.
Esraj is an important instrument in traditional vaisnava music and by the 1980s the instrument was nearly extinct. Of late, this instrument is seeing some revival. However only a handful players remain all over the world. The Esraj played here is carved out of a century old block of Burma teakwood. No effects or reverb have been added to the sound of the instrument.
A video by Devamrita Swami.
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The Museum of Sacred Art (MOSA) in Radhadesh, Belgium, has just published two lusciously illustrated books for devotees to feast their eyes on: “Illuminations from the Bhagavad-gita” and “Prabhupada Meditations.”
Illuminations From the Bhagavad-gita
On Sunday January 24th, MOSA Director Mahaprabhu Das presented “Illuminations…” to the murti of Srila Prabhupada at ISKCON Radhadesh. MOSA Director Mahaprabhu Das (right) presents Illuminations From the Bhagavad-gita to Srila Prabhupada
The book is in fact the fourth edition of the classic 1980 work by artist Kim Waters and Chris Murray, after the original by Harper and Row, and two in the 1990s and 2000s by Mandala.
Kim’s gorgeous, colorful, and completely charming paintings inspired by Srila Prabhupada’s Bhagavad-gita As It Is and illuminated with verses from the ancient text remain, as do the original introduction by Satsvarupa Das Goswami and preface by musician Donovan.
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